Lippincott Books » Inventory
|
MATCHES: Found In Book Title Buck, P C.; Ramsbotham, A.; Fellowes, E H. & Townsend Warner, S. (eds). Tudor Church Music Volume I: John Taverner C. 1495-1545 Part I Description: lxiii, 225, [3] pp. Includes appendix and bibliographic material. Volume I contains 8 masses by John Taverner. Andrew Carnegie endowed the Carnegie United Kingdom Trust, which financed the work of collection and publication in ten volumes of all surviving complete works by English composers of church music in the 16th and early 17th centuries. From the library of Charles Bell, with his name on the ffep and margin notes. A writer, poet and Rhodes Scholar, Bell took a degree in English during his 3 years at Oxford, and indulged a deep interest in early music. Blue cloth with titles gilt on front and spine. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Buck, P C.; Ramsbotham, A.; Fellowes, E H. & Townsend Warner, S. (eds). Tudor Church Music Volume IX: William Byrd 1543-1623 Masses, Cantiones, and Motets Description: xxii, 312 pp. Volume IX Includes bibliographic material, appendix, and words of motets. Although Byrd was Roman Catholic, Queen Elizabeth I and James I were patrons. An organist at Kings Chapel, Byrd also wrote and performed sacred works for his fellow recusant Catholics. Andrew Carnegie endowed the Carnegie United Kingdom Trust, which financed the work of collection and publication in ten volumes of all surviving complete works by English composers of church music in the 16th and early 17th centuries. From the library of Charles Bell, with his name on the ffep. A writer, poet, and Rhodes Scholar, Bell took a degree in English during his 3 years at Oxford, and indulged a deep interest in early music. Blue cloth with titles gilt on front and spine. Spine is sun faded, and 1/8 inch of the top and bottom cloth has worn away. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Buck, P C.; Ramsbotham, A.; Fellowes, E H. & Townsend Warner, S. (eds). Tudor Church Music Volume IX: William Byrd 1543-1623 Masses, Cantiones, and Motets Description: xxii, 312 pp. Volume IX Includes bibliographic material, appendix, and words of motets. Although Byrd was Roman Catholic, Queen Elizabeth I and James I were patrons. An organist at Kings Chapel, Byrd also wrote and performed sacred works for his fellow recusant Catholics. Andrew Carnegie endowed the Carnegie United Kingdom Trust, which financed the work of collection and publication in ten volumes, of all surviving complete works by English composers of church music in the 16th and early 17th centuries. From the library of Charles Bell, with his name on the ffep. A writer, poet, and Rhodes Scholar, Bell took a degree in English during his 3 years at Oxford, and indulged a deep interest in early music. Blue cloth with titles gilt on front and spine. Missing 3/4 of spine, front hinge starting. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Zuckerkandl, Victor. Willard R. Trask (translator) Sound and Symbol: Music and the External World Description: Bollingen Series XLIV, x, 399, [7] pp. With bibliography, index. Blue cloth, title and design on front board stamped in gilt. Small bump to top edge of front board, previous owner's name on ffep. Dustjacket has edge wear. Music as an instrument of philosophical inquiry. MATCHES: Found In Publisher Byrd, William; Wilbye, John; Purcell, Henry & Gibbons, Orland A Mass for Five Voices; First set of English Madrigals; Dido and Aeneas A Tragic Opera; Madrigals and Mottets for Five Voices Description: The first 4 publications of the Musical Antiquarian Society, printed in the First Year, from Nov. 1, 1840, to Dec. 1, 1841. Early scores of William Byrd, John Wilbye, Henry Purcell & Orlando Gibbons, with introductory matter. All bound as one. The individual scores with their subtitles follow: A Mass for Five Voices, composed between the years 1553 & 1558 for the Old Cathedral of Saint Paul, by William Byrd; Now first printed in Score, and preceded by a Life of the Composer by Edward F. Rimbault, 32 pp; The First Set of Madrigals, for three, four, five and six Voices, composed by John Wilbye, Now First Printed in Score From the Original Part Books A.D. 1598 Edited by James Turle, Organist of Westminster Abbey. 131 pp; Dido and Aeneas, a Tragic Opera in Three Acts, Composed Anno Domini, 1675, by Henry Purcell. Now First Printed. Edited by G. Alex Macfarren, Professor of Harmony at the Royal Academy of Music. 58 pp; Madrigals and Motets, for Five Voices, Composed by Orlando Gibbons, Originally Published in Parts. A. D. 1612, and now first printed in Score. Edited by Sir George Smart, Organist & Composer to Her Majesty’s Chapels Royal. 112 pp. The case is 3/4 black textured pigskin with brown pebbled cloth boards. Originally the folded sheets were edge-glued into the case with Gutta Percha. This early rubber adhesive has become brittle with age and has disintegrated, as is usual with this material. The glue failure means all the folded sheets are now loose and clean of glue reside, making the book an excellent candidate for rebinding. The case is in good condition and all loose leaves of the text block are in very good condition. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. OTHER RESULTSBigelow, Newton (ed.) The Psychiatric Quarterly. Vol. 39 No. 2. April 1965 Description: [2], pages 203 - 404, [4]. Light library stamps on front, otherwise clean & tight. With articles about Yurok Shamanism, hypnosis, music therapy; book reviews; contributors bios; new notes; subscription order forms printed on blue paper. Includes editorial comment on Little Orphan Annie comic strip and the campaign against mental health. Buck, P C.; Ramsbotham, A.; Fellowes, E H. & Townsend Warner, S. (eds). Tudor Church Music Volume I: John Taverner C. 1495-1545 Part I Description: lxiii, 225, [3] pp. Includes appendix and bibliographic material. Volume I contains 8 masses by John Taverner. Andrew Carnegie endowed the Carnegie United Kingdom Trust, which financed the work of collection and publication in ten volumes of all surviving complete works by English composers of church music in the 16th and early 17th centuries. From the library of Charles Bell, with his name on the ffep and margin notes. A writer, poet and Rhodes Scholar, Bell took a degree in English during his 3 years at Oxford, and indulged a deep interest in early music. Blue cloth with titles gilt on front and spine. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Buck, P C.; Ramsbotham, A.; Fellowes, E H. & Townsend Warner, S. (eds). Tudor Church Music Volume IX: William Byrd 1543-1623 Masses, Cantiones, and Motets Description: xxii, 312 pp. Volume IX Includes bibliographic material, appendix, and words of motets. Although Byrd was Roman Catholic, Queen Elizabeth I and James I were patrons. An organist at Kings Chapel, Byrd also wrote and performed sacred works for his fellow recusant Catholics. Andrew Carnegie endowed the Carnegie United Kingdom Trust, which financed the work of collection and publication in ten volumes of all surviving complete works by English composers of church music in the 16th and early 17th centuries. From the library of Charles Bell, with his name on the ffep. A writer, poet, and Rhodes Scholar, Bell took a degree in English during his 3 years at Oxford, and indulged a deep interest in early music. Blue cloth with titles gilt on front and spine. Spine is sun faded, and 1/8 inch of the top and bottom cloth has worn away. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Buck, P C.; Ramsbotham, A.; Fellowes, E H. & Townsend Warner, S. (eds). Tudor Church Music Volume IX: William Byrd 1543-1623 Masses, Cantiones, and Motets Description: xxii, 312 pp. Volume IX Includes bibliographic material, appendix, and words of motets. Although Byrd was Roman Catholic, Queen Elizabeth I and James I were patrons. An organist at Kings Chapel, Byrd also wrote and performed sacred works for his fellow recusant Catholics. Andrew Carnegie endowed the Carnegie United Kingdom Trust, which financed the work of collection and publication in ten volumes, of all surviving complete works by English composers of church music in the 16th and early 17th centuries. From the library of Charles Bell, with his name on the ffep. A writer, poet, and Rhodes Scholar, Bell took a degree in English during his 3 years at Oxford, and indulged a deep interest in early music. Blue cloth with titles gilt on front and spine. Missing 3/4 of spine, front hinge starting. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Page, Tim Tim Page on Music: Views and Reviews Description: 363, [1] pp. Forward by Anthony Tommasini. Includes index. Page is a former music critic for the Washington Post; this collection includes some of the pieces that won him the 1997 Pulitzer Prize for Criticism. Inscribed by Page on the title page. Southward, John Practical Printing, A Handbook of the Art of Typography Description: 640 p. 3 plates, numerous wood engravings. Facsimile reprint of the original edition, London: "Printers' Register" Office, 1882. Published just before mechanical typesetting became feasible, Practical Printing contains a last summation of the art of hand composition, with unusually detailed instructions for such difficult tasks as setting music type and tabular matter. Other interesting technical chapters on "Colour Printing" and on "Machine Printing." Brown cloth with spine title gilt, printed on acid free paper. Fine, without dustjacket - as issued. Oversize book: overseas customers please request a shipping quote, or anticipate a request for additional postage; the book will ship at cost. Zuckerkandl, Victor. Willard R. Trask (translator) Sound and Symbol: Music and the External World Description: Bollingen Series XLIV, x, 399, [7] pp. With bibliography, index. Blue cloth, title and design on front board stamped in gilt. Small bump to top edge of front board, previous owner's name on ffep. Dustjacket has edge wear. Music as an instrument of philosophical inquiry. |
Can't find what you're looking for? Call us 1-207-942-4398 and we'll be happy to help you out!
